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Live art in the UK

Live art in the UK

Chatzichristodoulou, Maria, editor

Since entering the performance lexicon in the 1970s, the term Live Art has been used to describe a diverse but interrelated array of performance practices and approaches. This volume offers a contextual and critical introduction to the scene of contemporary Live Art in Britain. Focusing on key artists whose prolific body of work has been vital to the development of contemporary practice, this collection studies the landscape of Live Art in the UK today and illuminates its origins, as well as particular concerns and aesthetics. The introduction to the volume situates Live Art in relation to other areas of artistic practice and explores the form as a British phenomenon. It considers questions of cultural specificity, financial and institutional support, and social engagement, by tracing the work and impact of key organizations on the UK scene: the Live Art Development Agency, SPILL Festival of Performance and Compass Live Art. Across three sections, leading scholars offer case studies exploring the practice of key artists Tim Etchells, Marisa Carnesky, Marcia Farquhar, Franko B, Martin O'Brien, Oreet Ashery, David Hoyle, Jordan McKenzie, and Cosey Fanni Tutti

eBook, Electronic resource, Book. English. Electronic books.
Published London: Bloomsbury Methuen Drama, 2020
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Details

Statement of responsibility: edited by Maria Chatzichristodoulou
ISBN: 1474257739, 9781474257732
Physical Description: 264 pages : illustrations (black and white)
Subject: Performance art; United Kingdom, Great Britain; Individual actors & performers; Performing arts Great Britain.; History of art; Lifestyle, hobbies & leisure; Performing Arts.; Theatre studies
Reproduction: Electronic reproduction. Askews and Holts. Mode of access: World Wide Web.
Other formats: Also available in printed form ISBN 9781474257701