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Modern music and after

Modern music and after

Griffiths, Paul, 1947-

This fully revised new edition re-establishes Paul Griffiths's survey as the definitive study of music since the Second World War. The disruptions of the war, and the struggles of the ensuing peace, were reflected in the music of the time: in Pierre Boulez's radical re-forming of compositional technique and in John Cage's move into zen music, in Milton Babbitt's settling of the serial system, and in Dmitry Shostakovich's unsettling symphonies, in Karlheinz Stockhausen's developmentof electronic music and in Luigi Nono's pursuit of the universally human, in Iannis Xenakis's view of music as sounding mathematics and in Luciano Berio's consideration of it as language. The initiatives of these composers and their contemporaries opened prospects that have continued to unfold.This constant expansion of musical thinking since 1945 has left us with no single history of music. `We live' as Griffiths says, `among many simultaneous histories'. His study accordingly follows several different paths, showing how they converge and diverge. In addition to the composers mentioned above, others whose music is discussed include Steve Reich, Jean Barraque, Elliott Carter, Olivier Messiaen, Gyorgy Kurtag, Bill Hopkins, Harrison Birtwhistle and Gyorgy Ligeti. Publication andrecording details are given for the works of all these composers and many others.For its breadth and for its wealth of detail, Modern Music and After will appeal to both student and the general reader in search of a lively and comprehensive introduction to the music of our time

Paperback, Hardback, Book. English.
Published New York; Oxford: Oxford University Press, 1995
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Available: Newton Park

  • Newton Park – Two available in Main Collection 780.904/GRI

    Barcode Shelfmark Loan type Status
    00081057 Main Collection 780.904/GRI Standard Available
    00081061 Main Collection 780.904/GRI Standard Available

Details

Statement of responsibility: Paul Griffiths
ISBN: 0198165110, 0198165781, 9780198165118, 9780198165781
Intended audience: Specialized.
Note: Includes bibliographical references (p. 351-362) and index.
Note: Originally published: London: Dent, 1981.
Physical Description: xv, 373p. : music ; 24 cm.
Series: Clarendon paperbacks
Subject: Music Criticism; Music 20th century History and criticism.; Music History; 20Th Century Music

Description

This fully revised new edition re-establishes Paul Griffiths's survey as the definitive study of music since the Second World War. The disruptions of the war, and the struggles of the ensuing peace, were reflected in the music of the time: in Pierre Boulez's radical re-forming of compositional technique and in John Cage's move into zen music, in Milton Babbitt's settling of the serial system, and in Dmitry Shostakovich's unsettling symphonies, in Karlheinz Stockhausen's development

of electronic music and in Luigi Nono's pursuit of the universally human, in Iannis Xenakis's view of music as sounding mathematics and in Luciano Berio's consideration of it as language. The initiatives of these composers and their contemporaries opened prospects that have continued to unfold.

This constant expansion of musical thinking since 1945 has left us with no single history of music. `We live' as Griffiths says, `among many simultaneous histories'. His study accordingly follows several different paths, showing how they converge and diverge. In addition to the composers mentioned above, others whose music is discussed include Steve Reich, Jean Barraque, Elliott Carter, Olivier Messiaen, Gyorgy Kurtag, Bill Hopkins, Harrison Birtwhistle and Gyorgy Ligeti. Publication and

recording details are given for the works of all these composers and many others.

For its breadth and for its wealth of detail, Modern Music and After will appeal to both student and the general reader in search of a lively and comprehensive introduction to the music of our time.