Contents

1. Introduction: straws in the wind, Patricia Fumerton and Anita Guerrini
2. Part I Re-Collecting and Re-Defining Ballads: Remembering by dismembering: databases, archiving, and the recollection of 17th-century broadside ballads, Patricia Fumerton
3. 'The art of printing was fatal': print commerce and the idea of oral tradition in long 18th-century ballad discourse, Paula McDowell
4. Child's ballads and the broadside conundrum, Mary Ellen Brown. Part II Strange News: Tradition, Journalism, and Monstrosity: Journalism vs. tradition in the early English ballads of the murdered sweetheart, Thomas Pettit
5. Do you take this hog-faced woman to be your wedded wife?, Tassie Gniady
6. Advertising monstrosity: broadsides and human exhibition in early 18th-century London, Anita Guerrini. Part III The Criminal Subject: Gender, Law, and Emotion: 'And I my vowe did keepe': oath making, subjectivity and husband murder in 'murderous wife' ballads, Simone Chess
7. Tracking the petty traitor across genres, Frances E. Dolan
8. Ballads and the emotional life of crime, Joy Wiltenberg. Part IV The Matter of Print: Class, Craft, and Authorship: 'The maiden's bloody garland': Thomas Warton and the elite appropriation of popular song, Steve Newman
9. 'Ne sutor ultra crepidam': political cobblers and broadside ballads in late 17th-century England, Angela McShane
10. William Hogarth's pregnant ballad sellers and the engraver's matrix, Elizabeth Kathleen Mitchell. Part V Border Crossings: England, Scotland, and the New World: War and the media in Border minstrelsy: The Ballad of Chevy Chase, Ruth Perry
11. Heroines gritty and tender, printed and oral, late-breaking and traditional: revisiting the Anglo-American female warrior, Dianne Dugaw
12. Music and Indians in John Gay's Polly, Noelle Chao
13. Afterword: ballad futures, Bruce R. Smith
14. Selected bibliography
15. Index.