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Book. English.
Published New York, NY: Granary Books, 2000

By Stubbs, David, 1962-
Paperback. English.
Published Winchester: O Books, 2009
Examines the parallel histories of modern art and modern music and examines why one is embraced and understood and the other ignored, derided or regarded...

By Harley, James, 1959-
Hardback. English.
Published New York; London: Routledge, 2004
Xenakis: His Life in Musicis a full-length study of the influential contemporary composer Iannis Xenakis. Following the trajectory of Xenakis's compositional...

By Carl, Robert, 1954-
Hardback. English.
Published New York; Oxford: Oxford University Press, 2009
'Terry Riley's 'In C'' argues that the work holds its place in the canon because of the very challenges it presents to 'classical' music. Carl examines...

Paperback. English.
Published Berkeley, Calif.; London: University of California Press, 2010
This work is a seminal source for materials on the heyday of experimental music and arts. The book documents crucial changes in performance practice and...

Paperback. English.
Published Cambridge, Mass.; London: MIT Press, 2011
JOhn Cage (1912-1992) defined a radical practice of composition that changed the course of modern music and shaped a new conceptual horizon for postwar...

Hardback. English.
Published Aldershot: Ashgate, 2009
This collection of essays embraces different perspectives to new music, understood as contemporary classical music from the last 50 years of a broadly...

Hardback. English.
Published Farnham: Ashgate, c2010
This title is a detailed analysis of the music of Christian Wolff. The reception of Wolff's music is discussed, particularly in relation to the European...

By Stockhausen, Karlheinz, 1928-2007
Paperback. English.
Published London: Marion Boyars, 1991
If a genius is someone whose ideas survive all attempts at explanation', writes the well-known contemporary musicologist Robin Maconie, 'then by that...

By DeLio, Thomas, 1951-
Paperback. English.
Published Hillsdale, N.Y.: Pendragon; London: Eurospan [distributor], 2011
Asserting that John Cage's innovations from the late 1930s and 1940s represent much more than a transitional phase in the American composer's sonic and...
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