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By Bratton, J. S. (Jacqueline Susan), 1945-
Paperback. English.
Published Cambridge: Cambridge University Press, 2003
Over the centuries theatre history has been interpreted in ways which highlight and often omit key elements. As one of the leading scholars in the field...

Hardback. English.
Published Oxford: Oxford University Press, 2013
This Oxford handbook provides an essential guide to theatre in Britain between the passing of the Stage Licensing Act in 1737 and the Reform Act of 1832...

Paperback. English.
Published Basingstoke, Hampshire: Palgrave Macmillan, 2010
'The Performing Century' looks at modes of performance and forms of theatre in 19th century Britain and Ireland. The authors bring new perspectives on...

Paperback. English.
Published Cambridge: Cambridge University Press, 2004
This work is designed for readers interested in the creation, production and interpretation of Victorian and Edwardian theatre in its own time and on...

Book. English.
Published Cambridge: Cambridge University Press, 1992
The final decade of the 19th century was one of the most productive in the history of the British theatre. This collection examines the playwrights, actors...

Paperback. English.
Published Cambridge: Cambridge University Press, 2007
This is a contributory volume covering all aspects of theatre in the 18th and early 19th centuries

By Shellard, Dominic
Hardback. English.
Published London: British Library, 2004
Between 1824 and 1968, British theatre was controlled by censorship, under the dictate of the Lord Chamberlain's Office. Revealed her for the first time...

By Baker, Michael, 1948-
Book. English.
Published London: Croom Helm [etc.], 1978

By Bailey, Peter, 1937-
Hardback. English.
Published Cambridge: Cambridge University Press, 1998
Bailey reconstructs the texture & meaning of popular pleasure in the Victorian entertainment industry and seeks to provide a study of the pub, music-hall...

By Richards, Jeffrey
Paperback. English.
Published London: Hambledon and London, [2006]
Jeffrey Richards gives an account both of Irving himself and of his career, also his impact on the Victorian theatre and Victorian life as a whole
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